Judy Tuwaletstiwa: Glass
As an artist, I give images form, making breath visible. While painting, writing, and working with glass, I pay attention to the possibly transformative gift of an image.
— Judy Tuwaletstiwa
Near White Sands, New Mexico, on July 16, 1945, at 5:29:45 am Mountain War Time, a nuclear fireball sucked the white sand of the Jornada del Muerto desert high into a still dark sky. The melted sand returned to the earth as a rain of molten glass. Scientists named these glass shards Trinitite, after the site, Trinity. At the time, artist Judy Tuwaletstiwa was 4 years old. Haunted by the specter the United States released in detonating atomic bombs in New Mexico, Hiroshima and Nagasaki, Tuwaletstiwa turned to sand and fire to explore this primal creative/destructive act.
The artist writes: “The raw material that becomes glass holds an interaction of wind, water, fire and earth, the organic creative process lived over geologic time. This transformative process continues to live in my studio through how I work with glass.” A follow-up book to her sold-out Mapping Water (2007), Glass weaves a story of her discoveries and explorations while working with glass over the past four years based on her work over the past 45 years in fiber, paint and writing. Tuwaletstiwa’s use of glass on canvas and paper is at once refined and surprising—a truly revolutionary response to a well-known medium. The highly personal combination of text and images in this book bridges fine art and craft, technology and nature, the political and the aesthetic, the conceptual and the material.
As an artist, I give images form, making breath visible. While painting, writing, and working with glass, I pay attention to the possibly transformative gift of an image.
— Judy Tuwaletstiwa
Near White Sands, New Mexico, on July 16, 1945, at 5:29:45 am Mountain War Time, a nuclear fireball sucked the white sand of the Jornada del Muerto desert high into a still dark sky. The melted sand returned to the earth as a rain of molten glass. Scientists named these glass shards Trinitite, after the site, Trinity. At the time, artist Judy Tuwaletstiwa was 4 years old. Haunted by the specter the United States released in detonating atomic bombs in New Mexico, Hiroshima and Nagasaki, Tuwaletstiwa turned to sand and fire to explore this primal creative/destructive act.
The artist writes: “The raw material that becomes glass holds an interaction of wind, water, fire and earth, the organic creative process lived over geologic time. This transformative process continues to live in my studio through how I work with glass.” A follow-up book to her sold-out Mapping Water (2007), Glass weaves a story of her discoveries and explorations while working with glass over the past four years based on her work over the past 45 years in fiber, paint and writing. Tuwaletstiwa’s use of glass on canvas and paper is at once refined and surprising—a truly revolutionary response to a well-known medium. The highly personal combination of text and images in this book bridges fine art and craft, technology and nature, the political and the aesthetic, the conceptual and the material.
As an artist, I give images form, making breath visible. While painting, writing, and working with glass, I pay attention to the possibly transformative gift of an image.
— Judy Tuwaletstiwa
Near White Sands, New Mexico, on July 16, 1945, at 5:29:45 am Mountain War Time, a nuclear fireball sucked the white sand of the Jornada del Muerto desert high into a still dark sky. The melted sand returned to the earth as a rain of molten glass. Scientists named these glass shards Trinitite, after the site, Trinity. At the time, artist Judy Tuwaletstiwa was 4 years old. Haunted by the specter the United States released in detonating atomic bombs in New Mexico, Hiroshima and Nagasaki, Tuwaletstiwa turned to sand and fire to explore this primal creative/destructive act.
The artist writes: “The raw material that becomes glass holds an interaction of wind, water, fire and earth, the organic creative process lived over geologic time. This transformative process continues to live in my studio through how I work with glass.” A follow-up book to her sold-out Mapping Water (2007), Glass weaves a story of her discoveries and explorations while working with glass over the past four years based on her work over the past 45 years in fiber, paint and writing. Tuwaletstiwa’s use of glass on canvas and paper is at once refined and surprising—a truly revolutionary response to a well-known medium. The highly personal combination of text and images in this book bridges fine art and craft, technology and nature, the political and the aesthetic, the conceptual and the material.
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Artwork by Judy Tuwaletstiwa
Text by Tina Oldknow, Lani McGregor, Ivy Ross, Josine lanco-Starrells, Laura Addison, Jean Norelli, Diana Gaston, and Mary KavanaghHardcover
9.5 x 12.5 inches
212 pages / 237 illustrations
ISBN: 9781942185093Please note that the hand-adhered glass on the cover is unique to each copy and comes in different colors, randomly selected for each order.
Limited edition is sold out.
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Judy Tuwaletstiwa (b. 1941) is a visual artist, writer and teacher. Her work resides in private and museum collections nationally and internationally.
After earning Degrees in English Literature from U.C. Berkeley and Harvard University, she discovered the power of visual art to connect us to the deepest part of ourselves. She has spent her life exploring and expressing this, using different media.
As a teacher, she helps people explore their unique creative vision.
She writes:
Art has taught me that walls and doorways are the same thing.
Art has taught me that an image can be a transformative gift of healing.
Art has taught me that what we see is only a fraction of what is there.
Art has taught me that the longer I make art, the greater the mystery.