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Throughout its history, landscape photography has transitioned from scientific exploration to the idealization of nature and the spectacle of human progress. Lost along the way was a sense that photographs of the land can speak to an ecstatic experience.
These photographs are a lust for the primitive. They seek to understand beauty and terror, which are inseparable. In the desert, nothing remains static; even the rocks move. The landscape is discernible only because of the presence of what is fundamentally absent. Myth and metaphor remain unfixed, open.