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Photographs by Ralph Eugene Meatyard
Essays by Eugenia Parry and Elizabeth SiegelClothbound with jacket
9 x 10 inches
132 pages / 55 duotone illustrations
ISBN: 9781934435335Trade: $55
Now Rare: $150 -
Ralph Eugene Meatyard (1925-1972) lived in Lexington, Kentucky, where he made his living as an optician while creating an impressive and enigmatic body of photographs. Meatyard’s creative circle included mystics and poets, such as Thomas Merton and Guy Davenport, as well as the photographers Cranston Ritchie and Van Deren Coke, who were mentors and fellow members of the Lexington Camera Club.
Meatyard’s work spanned many genres and experimented with new means of expression, from dreamlike portraits—often set in abandoned places—to multiple exposures, motion-blur, and other methods of photographic abstraction. He also collaborated with his friend Wendell Berry on the 1971 book The Unforeseen Wilderness, for which Meatyard contributed photographs of Kentucky’s Red River Gorge. Meatyard’s final series, The Family Album of Lucybelle Crater, are cryptic double portraits of friends and family members wearing masks and enacting symbolic dramas.
Solo museum exhibitions of the artist’s work have recently been presented at The Ogden Museum of Southern Art, New Orleans; The Art Institute of Chicago; The Philadelphia Museum of Art; the de Young Museum, San Francisco; The International Center of Photography, New York; Cincinnati Museum of Art, Ohio; the Center for Creative Photography, Tucson; Bates College Museum of Art, Lewiston, Maine; and Blanton Museum of Art, Austin, Texas. His works are held in the collections of The Metropolitan Museum of Art, SFMOMA, J. Paul Getty Museum, The Eastman Museum, and Yale University Art Gallery, among others. Monographs include American Mystic, Stages for Being, Dolls and Masks, A Fourfold Vision, and The Family Album of Lucybelle Crater and Other Figurative Photographs.
For her third monograph, Midwest Materials, Julie Blackmon has created a new body of work that sparkles with the wit, dark humor, and irony for which the artist has gained such renown. Finding insight and inspiration in the seeming monotony of her "generic American hometown," Blackmon constructs a captivating, fictitious world that is both playful and menacing. “I think of myself as a visual artist working in the medium of photography," Blackmon notes, "and my assignment is to chart the fever dreams of American life.” Midwest Materials follows on the sold out titles Domestic Vacations (Radius Books, 2008) and Homegrown (Radius Books, 2014).