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Photography by Rania Matar
Texts by Mark Alice Durant and Orin ZahraHardcover with jacket
11.5 x 13.5 inches
184 pages / 83 imagesTrade ISBN: 9781942185833
Signed ISBN: 9798890180391RARE — $ 150
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Rania Matar was born and raised in Lebanon and moved to the U.S. in 1984. She has received several grants and awards including a 2019 CENTER First Place Choice Award, 2018 Guggenheim Fellowship, 2017 Mellon Foundation artist-in-residency grant at the Gund Gallery at Kenyon College, 2011 Legacy Award at the Griffin Museum of Photography, 2011 and 2007 Massachusetts Cultural Council artist fellowships. Matar’s work has been exhibited in museums worldwide. In 2008 she was a finalist for the Foster Award at the Institute of Contemporary Art/Boston, with an accompanying solo exhibition. She had mid-career retrospectives at the Cleveland Museum of Art, the Amon Carter Museum of American Art, and the American University of Beirut Museum. Her work is in the permanent collections of several museums, institutions and private collections worldwide, including the Los Angeles County Museum of Art, Nelson Atkins Museum of Art, Museum of Fine Arts, Boston, and Museum of Fine Arts, Houston.
Drink wine and look at the moon and think of all
the civilizations the moon has seen passing by…
— Omar Khayyam, 11th-century mathematician and poet
Thirty-Six Views of the Moon is a meditative collection of nighttime exposures. For this project, Ebtekar found and tore out pages from volumes spanning the last thousand years—ranging from poetry and science fiction to religious texts and philosophy—that reference the moon and night sky. He then worked with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate to make their surfaces light-sensitive. Finally, Ebtekar would leave the sheets outside from dusk until dawn, using the UV-light emitted by the moon to create a contact cyanotype print layered with the cosmological texts on the found book pages.
In addition to the thirty-six cyanotypes, this volume features essays by Kim Beil, Alexander Nemerov, and Ladan Akbarnia, as well as an annotated index for this selection of images and a comprehensive bibliography of sources Ebtekar has used throughout the various iterations of this project.