Stephanie Syjuco: The Unruly Archive

Drink wine and look at the moon and think of all
the civilizations the moon has seen passing by…
— Omar Khayyam, 11th-century mathematician and poet

Thirty-Six Views of the Moon is a meditative collection of nighttime exposures. For this project, Ebtekar found and tore out pages from volumes spanning the last thousand years—ranging from poetry and science fiction to religious texts and philosophy—that reference the moon and night sky. He then worked with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate to make their surfaces light-sensitive. Finally, Ebtekar would leave the sheets outside from dusk until dawn, using the UV-light emitted by the moon to create a contact cyanotype print layered with the cosmological texts on the found book pages.

In addition to the thirty-six cyanotypes, this volume features essays by Kim Beil, Alexander Nemerov, and Ladan Akbarnia, as well as an annotated index for this selection of images and a comprehensive bibliography of sources Ebtekar has used throughout the various iterations of this project.

Binh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.”

Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering nineteenth-century photographers. For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.

Breaking the Binding provides the definitive volume on an influential yet under-studied artist and contributes to the growing field of scholarship on contemporary Latinx and Conceptual art.

Celia Álvarez Muñoz: Breaking the Binding is the first major publication devoted to the career of this seminal Latinx artist, who was born in El Paso, TX, in 1937. Accompanying her first museum career retrospective (Museum of Contemporary Art San Diego, March 16-August 13, 2023), this volume surveys the artist’s decades of colorful photo and text-based artworks, book projects, large-scale installations, public works, and unpublished, associated archival materials. Color images and scholarly texts illuminate the artist’s themes—childhood learning and perception, bicultural and bilingual experience, youthful slips of mind and tongue—and her often playful, first-person approach using conceptual tools. Resulting artworks are at once intimate and cerebral, analytical and joyful—reflecting the complexities of childhood, especially on a bicultural and bilingual border. Alongside images, the book features a conversation between Álvarez Muñoz and longtime interlocuter and friend Roberto Tejada, as well as essays by the exhibition co-curators Kate Green and Isabel Casso, and Josh Franco, Head of Collecting at the Smithsonian Archives of American Art.

… pure, seductive standalone images that eliminate the photographed subject.

– Nadia Vellam, T Magazine

“In honor of Anna Atkins who was the first person to illustrate a book with photographs, I have produced Compendium 1898–1919, a chronology of twelve assemblages made from the earliest expired photographic papers in my collection. The exact expiration dates of these papers pinpoint their location on a timeline and coexist with events in world history. No matter what the light-sensitive materials have endured through dormant years, they still respond to chemical development, and the resulting photographic tones are evidence of experience. Physical damage, moisture, and mold produce tonal changes when developed, and I consider these effects to be subject matter.” – Alison Rossiter

This book, a co-publication with the New York Public Library and Yossi Milo, includes all twelve works from the series at actual scale, along with close-up details, photographed by Peter Riesett, Head Photographer, Digital Imaging Unit, New York Public Library. The reference dates, which cover world events such as World War II and the sinking of the Titanic, and art-historical references such as the founding of the Bauhaus, are included as a reference key in the back of the book.