Stephanie Syjuco: The Unruly Archive
I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things.
— Stephanie Syjuco
The Unruly Archive is Syjuco’s first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. In Syjuco’s own words, the book is "a type of forensics...what it is like to piece together a vision of an entire country and people—the Philippines, Filipinos, and by extension, Filipinx Americans—through the lens of the American colonial archive."
By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist’s work ultimately seeks to “talk back” to the archive and find agency in challenging its images.
I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things.
— Stephanie Syjuco
The Unruly Archive is Syjuco’s first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. In Syjuco’s own words, the book is "a type of forensics...what it is like to piece together a vision of an entire country and people—the Philippines, Filipinos, and by extension, Filipinx Americans—through the lens of the American colonial archive."
By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist’s work ultimately seeks to “talk back” to the archive and find agency in challenging its images.
I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things.
— Stephanie Syjuco
The Unruly Archive is Syjuco’s first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. In Syjuco’s own words, the book is "a type of forensics...what it is like to piece together a vision of an entire country and people—the Philippines, Filipinos, and by extension, Filipinx Americans—through the lens of the American colonial archive."
By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist’s work ultimately seeks to “talk back” to the archive and find agency in challenging its images.
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Artwork and Text by Stephanie Syjuco
Texts by Astria Suparak, Carmen Winant, Gelare Khoshgozaran, Jason Lazarus,
LJ Roberts, Minne Atairu, Pio Abad, Savannah Wood, and Wendy Red StarHardcover
9.25 x 11.25 inches
320 pages / 131 imagesTrade ISBN: 9798890180766
Signed ISBN: 9798890180773 (sold out) -
Born in the Philippines in 1974, Stephanie Syjuco received her MFA from Stanford University and BFA from the San Francisco Art Institute. She is the recipient of a Guggenheim Fellowship Award, a Joan Mitchell Painters and Sculptors Award, and a Tiffany Foundation Award. Her work is in numerous collections, including at the Museum of Modern Art in New York, the Metropolitan Museum in New York, the Getty Los Angeles, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Smithsonian American Art Museum, among others. She was a Smithsonian Artist Research Fellow at the National Museum of American History in Washington DC in 2019–20 and is featured in the acclaimed PBS documentary series Art21: Art in the Twenty-First Century. A long-time educator, she is an Associate Professor in Sculpture at the University of California, Berkeley. She lives in Oakland, California.