Tony DeLap
“a well-overdue retrospective, considering every point of DeLap’s career, including a large section dedicated to his unheralded, surprisingly expressive drawings.”
— Jessica Holmes, The Brooklyn Rail
Artwork by Tony DeLap
Text by Barbara Rose
Edited by Catherine Fleming, Kathy DeLap, and Kelly DeLap Evans
Hardcover / 12.25 x 10.5 inches
128 color images / 327 pages
ISBN: 9781934435595
A legendary figure in Californian art, TONY DELAP was associated with Los Angeles’ 1960s Finish Fetish school (alongside the likes of Craig Kaufman and Larry Bell), and was a mentor to some of California’s most notable artists, including Bruce Nauman, James Turrell and John McCracken, who all studied with him.
Where many artists of the Finish Fetish school eschewed the material facture of their works, DeLap has almost always chosen to construct his work himself, meticulously producing freestanding sculptures in aluminum, fiberglass, lacquer, Plexiglas, resin and molded plastics and fabrics. He followed a path of Geometric abstraction and Minimal art embracing the principles of limited color, geometry, precise craftsmanship, and intellectual rigor.
DeLap was included in the two shows that helped to define the Minimalist movement—Primary Structures at the Jewish Museum (1966) and American Sculpture of the Sixties at the Los Angeles County Museum of Art (1967)—and his work brilliantly merges the austerity of Minimalism with Op art illusionism.
This book is a survey of DeLap’s long and productive career.